COLOGNE, Germany (AP) 鈥 A mirror room dappled with colored dots. Contorted, bright sculptures of flowers on a rooftop at the foot of Cologne鈥檚 famed cathedral. A vast showroom with giant octopus-like tentacles that offer up a mesmerizing meander through space and obstacles.
The renowned Museum Ludwig in the western German city is celebrating its 50th anniversary by opening a nearly five-month exhibit on Saturday, with more than 300 works of the famed Japanese artist Yayoi Kusama.
The trek through the time and transformation of the assembles works ranging from her first drawing in the mid-1930s to a newly commissioned 鈥淚nfinity Mirror Room鈥 made for the show.
Kusama, who turns 97 this month, has become a social media sensation with her use of that reflect her feeling of awe about life. Her own life carried her from patriarchal postwar Japan to New York to the Flower Power and anti-Vietnam war movements in the 1960s. She returned home to Japan in 1973.
Curator Stephan Diederich says the exhibit, which runs through Aug. 2, is “very diverse, wide-ranging, and depicts an immensely rich, creative life spanning more than eight decades, still looking ahead.鈥
Works include her series 鈥淢y Eternal Soul, 2009-2021,鈥 including a patchwork of paintings, to 鈥淭he Universe as Seen from the Stairway to Heaven鈥 鈥 made of mirror, glass and acrylic sheet. The museum entrance hosts her widely-recognized 2009 鈥淧umpkin鈥 of fiber-reinforced plastic and polyurethane paint, belonging to Museum Voorlinden in the Netherlands.
The rooftop display features painted-bronze sculptures 鈥淔lowers That Speak All about My Heart Given to the Sky鈥 from 2018, and 鈥淚鈥檓 Here, but Nothing,鈥 whose origins date back to 2000, involves fluorescent stickers and ultraviolet fluorescent lights illuminating a room of household objects.
鈥淜usama is undoubtedly one of the most significant artists of our time,” he said. 鈥淗er mirror rooms, balloon installations and polka dots have achieved cult status and are now iconic.鈥
Her multifaceted works often relate to the world of nature. She grew up in the greenhouses and fields of her family鈥檚 enormous seed nursery in Matsumoto, Japan. When Kusama was young, she began having vivid hallucinations, some of which involved polka dots or flowers spreading around her. She has fought through existential anxieties.
鈥淚n my more than 70 years as an artist, I have always been in awe of the wonder of life,鈥 she said in a statement. 鈥淢ore than anything, this strong sense of the life force in artistic expression is what has supported me and gave me power to overcome feelings of depression, hopelessness and sadness.
鈥淚 have been guided by my belief in this power,鈥 Kusama said.
Diederich said that Kusama has been living in relative seclusion in a Tokyo clinic for years, and communicated 鈥渋ndirectly鈥 with the curatorial team. She still works every day, 鈥渁s far as her health allows鈥 and has taken an active interest in the show, he said.
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